Clara Bow

Birthday: 29 July 1905, Brooklyn, New York, USA

Birth Name: Clara Gordon Bow

Height: 161 cm

Clara Gordon Bow, destined to become THE flapper of the 1920's, was born and raised in poverty in Brooklyn, New York, on July 29, 1905. Her family was also beset with violence. Her mother tried to slit Clara's throat when she attempted to enter the film industry. She won a photo beauty contest which launched her movie career that would eventually number 58 films, from 1922 to 1933. It was the movie It (1927), which was to define her career. The film starred Clara as a shop girl who was asked out by the store's owner. As you watch the silent film you can see the excitement as she prepared for her date with the boss, her girlfriend trying hard to assist her. She was trying to use a pair of scissors to modify her dress in order to look more "sexy". This movie did a lot to change society's mores as there was only a few years between World War I and Clara Bow, but this movie went a long way in how society looked at itself. Clara was flaming youth in rebellion. In the film she was presenting a worldly wisdom that somehow sex meant having a good time. But you shouldn't be misled by the film, because she was still close to Lillian Gish in that when her boss tries to kiss her goodnight, she slaps him. Yes, she, too, was a good girl and a first cousin of Trueheart Susie. At the height of her popularity she received over 45,000 fan letters a month. She, too, was probably the most overworked and underpaid star in the industry. With the coming of sound, which did lend itself to her thick Brooklyn accent, her popularity waned. Clara was also involved in several court battles ranging from unpaid taxes to being in divorce court for "stealing" women's husbands. After the court trials, she made a couple of attempts to get back in the public eye. One was Call Her Savage (1932) in 1932. It was somewhat of a failure at the box office and her last was in 1933 in a film called Hoopla (1933). She, then, married cowboy star, Rex Bell at the age of 26 and retired from the film world at the age of 28. She was a doting mother of her two sons and would do anything to please them. Haunted by a weight problem, and a mental imbalance, she never entered show business again. Clara was confined to a sanitarium from time to time and was not allowed access to her loving sons she adored very much. She died of a heart attack in West Los Angeles, on September 26, 1965. She was 60 years old. Today she is finding a renaissance among movie buffs, who are recently discovering the virtues of silent film. The actress who wanted so much to be like the wonderful young lady in It (1927) has the legacy of her films to confirm what a wonderful lady she really was. She, too, was America's first sex symbol. Hide

People used to say that I had a feeling of closeness, a great warmth of loving everybody, that they Show more People used to say that I had a feeling of closeness, a great warmth of loving everybody, that they could tell me their troubles. Hide

The more I see of men, the more I like dogs. The more I see of men, the more I like dogs.

[asked for her thoughts on Marilyn Monroe after Monroe's death] A sex symbol is a heavy load to carr Show more [asked for her thoughts on Marilyn Monroe after Monroe's death] A sex symbol is a heavy load to carry when one is tired, hurt and bewildered. Hide

[on the death of her grandfather when she was five] The first night, as he lay in his coffin in the Show more [on the death of her grandfather when she was five] The first night, as he lay in his coffin in the dining room, I crept out of my bed and lay down on the floor beside him because I had the feeling that he might be lonely. My father found me there in the morning, almost frozen. I said, 'Hush, you mustn't wake grandfather. He's sleeping.' Hide

We had individuality. We did as we pleased. We stayed up late. We dressed the way we wanted. I used Show more We had individuality. We did as we pleased. We stayed up late. We dressed the way we wanted. I used to whiz down Sunset Boulevard in my open Kissel, with several red Chow dogs to match my hair. Today, they're sensible and end up with better health. But we had more fun. Hide

[on her poverty-stricken childhood in Brooklyn] No one wanted me in the first place. Often I was lon Show more [on her poverty-stricken childhood in Brooklyn] No one wanted me in the first place. Often I was lonesome, frightened and miserable. I never had a doll in my life. I never had any clothes, and lots of times didn't have anything to eat. We just lived, and that'a about all. Girls shunned me because I was so poorly dressed - the worst looking kid on the street. I decided that girls weren't any good, and being lonely and needing child friends, cast my lot with the neighborhood boys. I became a regular tomboy - played baseball, football and learned to box. Hide

A sex symbol is a heavy load to carry when one is tired, hurt and bewildered. A sex symbol is a heavy load to carry when one is tired, hurt and bewildered.

[on director Victor Fleming] Of all the men I've known, there was a man. [on director Victor Fleming] Of all the men I've known, there was a man.

When I decided to leave the screen, I told Ben Schulberg [producer B.P. Schulberg] I would not finis Show more When I decided to leave the screen, I told Ben Schulberg [producer B.P. Schulberg] I would not finish my contract or ever work again for anyone. He yelled and threatened to sue me and I said, "Go ahead, Ben, sue me. I've fought a thief and a blackmailer and, if after such heartaches I am forced to fight you and the studio, so be it". Hide

[when asked what "It" was, replying in her perfect Brooklyn accent] I ain't real sure. [when asked what "It" was, replying in her perfect Brooklyn accent] I ain't real sure.

Clara Bow's FILMOGRAPHY

as Actor (4)

Wings

Children of Divorce

It (1927)

Skin: A History of Nudity in the Movies

Clara Bow'S roles

Mary Preston