Damien Chazelle filmography

I handle screenings and award ceremonies really badly. I handle screenings and award ceremonies really badly.

I'm a terrible procrastinator. I'm a terrible procrastinator.

I love the idea of using film language similarly to how musicians use music - combining images and s Show more I love the idea of using film language similarly to how musicians use music - combining images and sounds in a way that they create an emotional effect. Hide

There were so many specific things from high school jazz band that I remembered: the conductor searc Show more There were so many specific things from high school jazz band that I remembered: the conductor searching out people who were out of tune, or stopping and starting me for hours in front of the band as they watched. Hide

Mozart was born Mozart. Charlie Parker was born Charlie Parker. Mozart was born Mozart. Charlie Parker was born Charlie Parker.

I was a writer for hire. I wrote to pay the bills. I was a writer for hire. I wrote to pay the bills.

I like the idea of working my way up. I don't feel impatient to immediately jump into something that Show more I like the idea of working my way up. I don't feel impatient to immediately jump into something that could literally bring down a studio if I don't do it well. Hide

In some ways, jazz is the most precise of art forms and the loosest in the sense that it's all about Show more In some ways, jazz is the most precise of art forms and the loosest in the sense that it's all about improvisation, but the musicianship required is kind of insane. To actually play with real jazz musicians is a different level of musicianship that almost has no equal in any other form of music in the world. Hide

It's a weird thing where, especially in jazz, you have to totally mention cutting sessions and peopl Show more It's a weird thing where, especially in jazz, you have to totally mention cutting sessions and people one-upping each other and people being super, super tough on each other. And out of it emerge these genius musicians. Hide

If you want to make a movie, there may be many forces trying to pull you down, but really, a lot of Show more If you want to make a movie, there may be many forces trying to pull you down, but really, a lot of it is will power. You can will it into being if you just believe that you are going to make a movie. Hide

The end result of my personal story is that I became a really good drummer, and I know myself well e Show more The end result of my personal story is that I became a really good drummer, and I know myself well enough to know that I wouldn't have without this really tough conductor and this really cutthroat hostile environment I was in. Hide

If you're an artist, you want to draw from real life; you want to draw from experiences, emotion, an Show more If you're an artist, you want to draw from real life; you want to draw from experiences, emotion, and it's something that a lot of musicians juggle with. I've always found it so fascinating. Hide

I tend to latch on to things and not let go. I tend to latch on to things and not let go.

I feel like a lot of directing is casting. I feel like a lot of directing is casting.

I was in high school, and when you get to be 14, 15, you start to feel a little more like your own p Show more I was in high school, and when you get to be 14, 15, you start to feel a little more like your own person so that you can assert your adulthood a little bit. Hide

If you look at 'West Side Story,' a lot of those numbers are actually pretty cutty, but the cuts are Show more If you look at 'West Side Story,' a lot of those numbers are actually pretty cutty, but the cuts are always musically motivated. Hide

I wanted to look at the mentality that can breed that sort of intensity, that kind of cutthroat, pre Show more I wanted to look at the mentality that can breed that sort of intensity, that kind of cutthroat, pressure-cooker feeling, especially a form of music like jazz, that should be - or you'd think should be - all about liberation and improvisation and everything. Hide

I didn't have traditional stage fright. If there was 500 people in the audience or three people in t Show more I didn't have traditional stage fright. If there was 500 people in the audience or three people in the audience, it didn't really make a difference. What made a difference was the conductor. Everything that I was scared about as a drummer was him. Hide

If you're on the varsity team, the responsibilities are a lot bigger and there's more stress, but yo Show more If you're on the varsity team, the responsibilities are a lot bigger and there's more stress, but you also walk around feeling probably like you can hold your head high. Hide

What's great about musicals is their energy and go-for-brokeness - stopping the story to sing and da Show more What's great about musicals is their energy and go-for-brokeness - stopping the story to sing and dance. How can you not love that? Hide

It's certainly no coincidence that big bands became the entertainment of the army in WWI and WWII, a Show more It's certainly no coincidence that big bands became the entertainment of the army in WWI and WWII, and that jazz drumming style is very military influenced. The snare drum comes from the military and becomes the core kind of sound of jazz drums. Hide

My hands were constantly blistered or bloody; my ears were always ringing. I tore through drumheads Show more My hands were constantly blistered or bloody; my ears were always ringing. I tore through drumheads and drumsticks like there was no tomorrow. Hide

I've always, especially through old Hollywood musicals, loved just to watch tap dancing; I adore it. Show more I've always, especially through old Hollywood musicals, loved just to watch tap dancing; I adore it. I think it's fantastic. Hide

It's easy to show terrible people's behavior on screen, and we all just kind of nod and go, 'Isn't t Show more It's easy to show terrible people's behavior on screen, and we all just kind of nod and go, 'Isn't that terrible.' It's more interesting when you can show terrible behavior in the interest of something good. Hide

There are a few musicians that I know who seem on the outside like very asocial or somewhat unemotio Show more There are a few musicians that I know who seem on the outside like very asocial or somewhat unemotional people, people who aren't capable of emotions, and people think they're very cold inside. Hide

I think there is something to be said for not coddling people and not accepting good as good enough. I think there is something to be said for not coddling people and not accepting good as good enough.

As a drummer, you're always fighting for a level that you never quite attain. As a drummer, you're always fighting for a level that you never quite attain.

'Whiplash' scared me. I feel you should only do projects that scare you to some degree. I get motiva Show more 'Whiplash' scared me. I feel you should only do projects that scare you to some degree. I get motivated by those sorts of feelings. Hide

I like movies that are specific. Movies that home in on a very specific subculture, a specific disci Show more I like movies that are specific. Movies that home in on a very specific subculture, a specific discipline, a specific world. Hide

It's interesting when you wind up distilling all your ambitions and your goals and dreams into one s Show more It's interesting when you wind up distilling all your ambitions and your goals and dreams into one single person. It's giving that person a lot of power. Hide

My first movie was totally improvised. My first movie was totally improvised.

I find L.A. kind of romantic, actually. As a movie junkie, it's a city that was built by the movies. Show more I find L.A. kind of romantic, actually. As a movie junkie, it's a city that was built by the movies. There's something really weird and surreal about it that I find energizing. Hide

As a kid, I was just writing scripts and taking whatever film classes I could in college. As a kid, I was just writing scripts and taking whatever film classes I could in college.

I remember when I first met Jason Reitman with the 'Whiplash' script; he quickly became a mentor fig Show more I remember when I first met Jason Reitman with the 'Whiplash' script; he quickly became a mentor figure who guided me through the process and also protected me and made sure that when it came time to actually make 'Whiplash,' I was able to make exactly the movie I wanted to make. Hide

There are a lot of musicians in my life. But movies came first for me. That was my original passion. There are a lot of musicians in my life. But movies came first for me. That was my original passion.

I didn't feel the kind of joy every day playing drums that I thought you were supposed to feel. I didn't feel the kind of joy every day playing drums that I thought you were supposed to feel.

As delicate as 'Guy and Madeline' was, it was important that 'Whiplash' come off as more of a fever Show more As delicate as 'Guy and Madeline' was, it was important that 'Whiplash' come off as more of a fever dream. Hide

There's something very particular about the kind of rage you feel when you're alone in a practice ro Show more There's something very particular about the kind of rage you feel when you're alone in a practice room by yourself, unable to master a simple thing like a rudiment. Hide

I guess art itself is insane. Its actual function is rarely clear, and yet people give their hearts Show more I guess art itself is insane. Its actual function is rarely clear, and yet people give their hearts and souls and lives to it, and have for all of history. Hide

The go-to reflex all over Hollywood is still likeability. I've always had a problem with it because Show more The go-to reflex all over Hollywood is still likeability. I've always had a problem with it because I think I have a weird barometer in the sense that some of the characters I've cared about the most in movies are characters that are often thought of as despicable. Hide

Nothing is guaranteed to last, so you should just enjoy it as it happens. Nothing is guaranteed to last, so you should just enjoy it as it happens.

I would break a lot of cymbals. You whack the cymbals hard enough, and they will crack in half. Drum Show more I would break a lot of cymbals. You whack the cymbals hard enough, and they will crack in half. Drums are not actually as sturdy as they look. They're actually somewhat fragile instruments. Hide

I think, especially living in L.A., it's very easy to get wrapped up in weekend announcements and th Show more I think, especially living in L.A., it's very easy to get wrapped up in weekend announcements and the trades and the whole social life of the city, and to get divorced from what actually matters. Hide

I was interested in music and making movies about musicians, but my own experiences, and doing what Show more I was interested in music and making movies about musicians, but my own experiences, and doing what it felt like for me to be a drummer? Nah, I wasn't interested in that. Hide

When you're trying to paint a portrait of a very specific world, you're trying to show what makes th Show more When you're trying to paint a portrait of a very specific world, you're trying to show what makes the world different. So, sometimes it means exaggerating certain kind of aspects, but I don't think it's that important or it's that much of an issue as long as you get an emotional truth across. Hide

Practicing is not normally fun. Sometimes people say they're practicing, but they're really just enj Show more Practicing is not normally fun. Sometimes people say they're practicing, but they're really just enjoying themselves and the instrument. That's not real practice. Hide

Certainly, I've loved musicals for a while, so I did some short films in college that had musical nu Show more Certainly, I've loved musicals for a while, so I did some short films in college that had musical numbers and things like that, so I've kind of been obsessed with Fred and Ginger and Vincente Minnelli and Stanley Donen and Jaques Demy forever. Hide

It was only through getting interested in more out-there and avant-garde forms that the musical sudd Show more It was only through getting interested in more out-there and avant-garde forms that the musical suddenly seemed like such a wonderful genre to me. Hide

Before 'Whiplash,' I'd had a string of failed scripts. I'd pour my blood, sweat and tears into them, Show more Before 'Whiplash,' I'd had a string of failed scripts. I'd pour my blood, sweat and tears into them, and no one would like them. Hide

One interesting thing about jazz, or art in general, but jazz especially is such an individual art f Show more One interesting thing about jazz, or art in general, but jazz especially is such an individual art form in the sense that improvisation is such a big part of it, so it feels like it should be less soldiers in an army and more like free spirits melding. And yet, big band jazz has a real military side to it. Hide

I was a jazz drummer, and it was my life for a while: what I lived and breathed every day. I was a jazz drummer, and it was my life for a while: what I lived and breathed every day.

By the end of high school, I had this fork-in-the-road moment where part of me considered going to v Show more By the end of high school, I had this fork-in-the-road moment where part of me considered going to vocational music school to really pursue it. Hide

People like Art Blakey and Buddy Rich, you look at them playing music, and it's just like looking at Show more People like Art Blakey and Buddy Rich, you look at them playing music, and it's just like looking at a heavy metal drummer. I mean, they're playing with the same amount of ferocity. It's not to say all jazz is like that. Hide

In a weird way, I'm always going to ground myself. I'm an insecure kind of pessimist, but I'm always Show more In a weird way, I'm always going to ground myself. I'm an insecure kind of pessimist, but I'm always kind of waiting for the other shoe to drop. Hide

What I love about jazz is that it's full of legends, full of myths. It's an oral history because it Show more What I love about jazz is that it's full of legends, full of myths. It's an oral history because it started in New Orleans and Kansas City, under the radar. Hide

My version of a stress dream is, really, showing up on a concert stage with a drum set and not knowi Show more My version of a stress dream is, really, showing up on a concert stage with a drum set and not knowing the chart. Hide

I don't think of 'Macbeth' as the villain. I don't think of 'King Lear' as the villain. I don't thin Show more I don't think of 'Macbeth' as the villain. I don't think of 'King Lear' as the villain. I don't think of 'Hamlet' as the villain. I don't think of 'Travis Bickle' as the villain. Hide

My motivation for being a good drummer was born out of fear, which, in a way, seems so antithetical Show more My motivation for being a good drummer was born out of fear, which, in a way, seems so antithetical to what art should be. Hide

'Whiplash' was always the song I hated the most because it's a song designed to screw with drummers. 'Whiplash' was always the song I hated the most because it's a song designed to screw with drummers.

The greatest thing has been that projects that were pipe dreams before 'Whiplash' are now feeling mo Show more The greatest thing has been that projects that were pipe dreams before 'Whiplash' are now feeling more realistic. Hide

First time that I cried at a work of art was at a drum solo that I saw. A drummer named Winard Harpe Show more First time that I cried at a work of art was at a drum solo that I saw. A drummer named Winard Harper, part of the Billy Taylor Trio, gave back in - I would have been in high school - 2005 or something. Hide

I'm predisposed to never be in pure celebration mode. I'm predisposed to never be in pure celebration mode.

Real practice means working on stuff you're not good at. Real practice is about butting your head ag Show more Real practice means working on stuff you're not good at. Real practice is about butting your head against the wall repeatedly until you get it right. Hide

I was a kid living in New Jersey, who - I'd wanted to make movies since I was a little kid, so that Show more I was a kid living in New Jersey, who - I'd wanted to make movies since I was a little kid, so that came before music for me. But I started playing drums just as a hobby, and I wasn't even really into jazz that much. Hide

I do truly believe that the smallest stories can wind up being the biggest because it's through the Show more I do truly believe that the smallest stories can wind up being the biggest because it's through the specific that a writer can best access the universal. Hide

I actually grew up wanting to be a filmmaker. I wanted to make movies, and music was a detour, almos Show more I actually grew up wanting to be a filmmaker. I wanted to make movies, and music was a detour, almost. Hide

If there's a good review, I'll skip over the headline, but I always find the bad reviews and read th Show more If there's a good review, I'll skip over the headline, but I always find the bad reviews and read those. I don't know why. It's a little sick and demented. Hide

My dad is a big jazz fan, and that was the reason I first got into jazz. My dad is a big jazz fan, and that was the reason I first got into jazz.

I don't like the idea the viewer can kind of sit there and go, 'Make me like this person.' People ar Show more I don't like the idea the viewer can kind of sit there and go, 'Make me like this person.' People aren't inherently sympathetic. Hide

I had seen a lot of music movies that celebrated music or that showed the kind of joys from playing Show more I had seen a lot of music movies that celebrated music or that showed the kind of joys from playing music, which is a big part of it of course, and not something that I would want to deny. Hide

I hadn't seen that many movies that really go deep enough into the fears of playing music or the lan Show more I hadn't seen that many movies that really go deep enough into the fears of playing music or the language that musicians can use to treat each other or, like, the way that you can see it dehumanize and the way that it can feel like boot camp. Hide

I was in this public high school in Princeton, and it had this topnotch jazz program - if you were a Show more I was in this public high school in Princeton, and it had this topnotch jazz program - if you were a musician of any kind of caliber, your holy grail was to be in that orchestra. It was that claim to fame of the school, of the town, other than the university. But it was better than the university band. Hide

It's a little difficult when something goes from being an utter obsession - a thing where your skill Show more It's a little difficult when something goes from being an utter obsession - a thing where your skill defines you as a person - to it just being a thing you occasionally do. Hide

I like a set to be a happy place, where people can feel free to experiment. I like a set to be a happy place, where people can feel free to experiment.

I love the ending of 'The Wrestler.' I love the ending of 'The Wrestler.'

Going back to my film education, I always have that voice in my head that's always screaming, 'Sell Show more Going back to my film education, I always have that voice in my head that's always screaming, 'Sell out!' And that's good: you want that, because it keeps you on your toes, and it's important to remember what's actually important. Hide

I remember being inspired myself when smaller films, whether it's 'Beasts' or 'Winter's Bone,' wound Show more I remember being inspired myself when smaller films, whether it's 'Beasts' or 'Winter's Bone,' wound up in the Oscars lineup. Hide

At the upper echelon of musicians in general, I guess performers in general, you have to have this k Show more At the upper echelon of musicians in general, I guess performers in general, you have to have this kind of live-or-die, cutthroat mentality. Hide

Certainly, my manager Gary Ungar was the first person to give me any attention and hustle for me. Th Show more Certainly, my manager Gary Ungar was the first person to give me any attention and hustle for me. This was back in 2009. Hide

I was really trying to sell to people who hate jazz: to make a case for the art form as youthful and Show more I was really trying to sell to people who hate jazz: to make a case for the art form as youthful and energetic, not the sort of rarified intellectual activity it's painted as. Hide

I've always wanted to make movies that are fever dreams. I've always wanted to make movies that are fever dreams.

I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really Show more I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really; I was pretty tasteful and had good ideas musically. But I had a terrible sense of tempo, which is like being a blind painter. Hide