Kevin Shields
Birthday: May 21, 1963 in New York City, New York, USA
Height: 191 cm
Kevin Shields was born on May 21, 1963 in New York City, New York, USA.
Songs and music are so simple in many ways. But there's a special ingredient that you have no contro Show more
Songs and music are so simple in many ways. But there's a special ingredient that you have no control over, which is just playing something because you enjoy it. It's very simple and very obvious, but it can actually sort of get the music to work. Whereas if you contrive something, and only make it up and play it because you want it for an intellectual reason, it doesn't seem to have that magic ingredient anymore. Hide
I'm not really organized, and I've never really done anything the way I would have preferred to. I h Show more
I'm not really organized, and I've never really done anything the way I would have preferred to. I have a huge backlog, but I've also had a realization from writing music for most of my life. When I write music, it's all contextual, as if every song has its own little soul. Hide
My mind is nearly like an infinite tunnel of potential ideas, but the ideas are all a part of what i Show more
My mind is nearly like an infinite tunnel of potential ideas, but the ideas are all a part of what is already there. In my imagination, I always think there are more parts to record. Then when I work it through, I make it to a certain point and I'm like, "Actually, that's enough." Hide
I don't have strong feelings about particular songs that are unreleased, because I know at some poin Show more
I don't have strong feelings about particular songs that are unreleased, because I know at some point they will exist, and if I don't release it, then it's not lost to the world forever. The creative process doesn't feel that personal to me, because I don't think it's just about me. Hide
Hearing is very much a mental process as much as a physical process - partly, you learn to listen in Show more
Hearing is very much a mental process as much as a physical process - partly, you learn to listen in different ways. For example, even people with quite bad hearing have got a certain threshold - there's a certain volume where they can hear things quite well. When I'm working in the studio or mastering, I still tend to be the one who picks up on problems first or pick up on distortions. That's not necessarily a component of good hearing from a technical perspective. It's just the way I hear sound. Hide
Everything I do is a bit like myself in the end. I've recorded a lot of music over the years that ne Show more
Everything I do is a bit like myself in the end. I've recorded a lot of music over the years that never came out, so there's a gap between where we were and where we're going. You notice it more when you play live because you feel the way it feels in relation to the audience. You learn your own music through that. Hide
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