Malcolm D. Lee
Birthday: 11 January 1970, USA
Height: 192 cm
Malcolm D. Lee was born on January 11, 1970 in the USA. He is a director and writer, known for The Best Man Holiday (2013), Undercover Brother (2002) and The Best Man (1999).
Kids are taking music for free all the time. They have Spotify, Pandora...The record companies aren' Show more
Kids are taking music for free all the time. They have Spotify, Pandora...The record companies aren't making the kind of music that they used to make. Artists make their money on tours, not from album sales. Hide
Holidays have been commercialized. It has become about material things. But the holidays are about s Show more
Holidays have been commercialized. It has become about material things. But the holidays are about sharing stories and being in each other's presence. Hide
If you look at 'The Best Man,' there's a lot of humor in that, but I never consider that movie a com Show more
If you look at 'The Best Man,' there's a lot of humor in that, but I never consider that movie a comedy. I felt that it was a drama with comedic elements and comedic parts to it. Hide
'The Big Chill' had a bunch of really talented actors, a great soundtrack, and the college connectio Show more
'The Big Chill' had a bunch of really talented actors, a great soundtrack, and the college connections that the characters shared. It's one of those movies I glean something different from every time I watch it. Hide
When you're in your 20s, you're a little more carefree; you're single. You have a very different way Show more
When you're in your 20s, you're a little more carefree; you're single. You have a very different way of looking at the world and experiencing the world. But later in your 30s when you have children, a career, career obstacles, mortgages, car payments and relationships you have to negotiate, that's a very different life. There's a little more angst. Hide
I love soundtracks that really play well into the movie and work in a symbolic way. You watch the mo Show more
I love soundtracks that really play well into the movie and work in a symbolic way. You watch the movie, you hear this great music. You hear the music, it reminds you of the movie and it makes you want to watch the movie again. It all works in that way and it evokes memories of the first time you saw the movie. That's how the best soundtracks work. Hide
I'm driven more by my heart more than anything else, and my head, and sometimes those things are cou Show more
I'm driven more by my heart more than anything else, and my head, and sometimes those things are counterintuitive. Hide
I did no research on 'The Best Man.' That was something that came out from my own head.
I did no research on 'The Best Man.' That was something that came out from my own head.
I've made it my mission to make movies starring African American actors and about the African Americ Show more
I've made it my mission to make movies starring African American actors and about the African American experience and put them in the mainstream. They're very universal stories I've told - every movie I've done. Hide
I had a strong vision for 'The Best Man Holiday,' so I was able to translate that to the actors and Show more
I had a strong vision for 'The Best Man Holiday,' so I was able to translate that to the actors and ultimately to the screen. Things can't get too heavy or too outrageously funny; it has to strike a balance. Tone is everything. If you've set the right tone, you can get away with a lot of stuff. You can get away with making people cry. Hide
Malcolm D. Lee's FILMOGRAPHY
All
as Actor (3)
as Director (9)
as Creator (3)
