Nicolas Roeg
Birthday: 15 August 1928, London, England, UK
Birth Name: Nicolas Jack Roeg
Height: 170 cm
When he made his directorial debut in 1970, Nicolas Roeg was already a 23-year veteran of the British film industry, starting out in 1947 as an editing apprentice and working his way up to cinematogra ...Show More
You make the movie through the cinematography - it sounds quite a simple idea, but it was like a hug Show more
You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me. Curiously, it sank for a while when video and commercials came in. Because they had very little story to tell and they just had one thing to sell, they could have magnificent photography but not great cinematography. So quite a lot of people who've come into cinema from the commercials world have had to learn the very fact of what cinematography is over again. Hide
Movies are not scripts - movies are films; they're not books, they're not the theater. It's a comple Show more
Movies are not scripts - movies are films; they're not books, they're not the theater. It's a completely different discipline, it exists on its own. I would say that the beauty of it is it's not the theater, it's not done over again. It's done in bits and pieces. Things are happening which you can't get again. Hide
There are three lovely critical expressions: pretentious, gratuitous, profound. None of which I trul Show more
There are three lovely critical expressions: pretentious, gratuitous, profound. None of which I truly understand. Hide
The great difference between screen acting and theater acting is that screen acting is about reactin Show more
The great difference between screen acting and theater acting is that screen acting is about reacting - 75% of the time, great screen actors are great reactors. When it comes to film, the director tells the audience what to look at. That doesn't happen on stage. When the dialog stops, people don't know where to look. Hide
People usually arrive to see something with an open mind. I want to make them feel something emotion Show more
People usually arrive to see something with an open mind. I want to make them feel something emotionally, but not by planning how to get them there. That would almost be like the communist days when newspapers told people what to think - when there was no competition with Pravda. Hide
[on whether he watches his own movies] I never watch them. It's like a trip to the past. You can't h Show more
[on whether he watches his own movies] I never watch them. It's like a trip to the past. You can't help but remember the day each scene was shot. It may be a shot to you, but it's a day to me. Hide
It fascinates me now that film has become a university subject; I can't believe it.
It fascinates me now that film has become a university subject; I can't believe it.
Some people are very lucky, and have the story in their heads. I've never storyboarded anything. I l Show more
Some people are very lucky, and have the story in their heads. I've never storyboarded anything. I like the idea of chance. What makes God laugh is people who make plans. Hide
In life, we all learn from everyone. But if you like and admire someone tremendously, perhaps becaus Show more
In life, we all learn from everyone. But if you like and admire someone tremendously, perhaps because they think the way you do, or like the way you think, then inevitably you do. Hide
I can't think how anyone can become a director without learning the craft of cinematography. I was v Show more
I can't think how anyone can become a director without learning the craft of cinematography. I was very glad later when I was directing that I wasn't in the hands of a cinematographer and hoping that he would do it well. I would know what he was doing, and we could discuss how that scene would look. It was just lucky in a way that I didn't go to film school and just learned all this on the floor. Hide
It rather shattered me today when I went to see Eric Fellner's talk - it was fascinating, and he's p Show more
It rather shattered me today when I went to see Eric Fellner's talk - it was fascinating, and he's probably one of the most successful producers right now in England. He talked about how his films are ordered and structured and market researched. In my day - and I was lucky that way - it was still a showman's place, a walk-right-up kind of thing. There was something vagabond-like about it, at the same time it was growing secretly. And the idea of photography as an art was ridiculous. But that was my life, in a factory setting. Hide
I shoot a lot of stuff. I think that's probably come from not having gone to film school. Things wor Show more
I shoot a lot of stuff. I think that's probably come from not having gone to film school. Things work themselves out. You've lost the showmanship thing, the fairground barker, come-see-what's-inside aspect of filmmaking when you try to plan everything for the audience. Hide
Nicolas Roeg's FILMOGRAPHY
All
as Actor (1)
as Director (4)
