Eriq La Salle
Birthday: 23 July 1962, Hartford, Connecticut, USA
Birth Name: Erik Ki La Salle
Height: 188 cm
Born and raised in Hartford, CT, as one of four children. Studied two years at Juilliard and graduated from New York University graduate theater program with a B.F.A. degree in theater. Meanwhile he p ...Show More
Regardless of what people ultimately think about Crazy As Hell, It's not the type of film that, ten Show more
Regardless of what people ultimately think about Crazy As Hell, It's not the type of film that, ten minutes after seeing it, you're only focused on what you want to eat. Hide
So It's not like I go from being this disciplined person who has to get up and go to work to now I j Show more
So It's not like I go from being this disciplined person who has to get up and go to work to now I just lay around all day in my underwear eating Cheerios. I have this structure. I still have to do this and the difference is I'm doing this for me and my company. Hide
I think that you make the best choice with the information that you have before you at that given ti Show more
I think that you make the best choice with the information that you have before you at that given time. Hide
The films that have influenced me and the films that have motivated me and inspired me were films th Show more
The films that have influenced me and the films that have motivated me and inspired me were films that resonated, films that made me think after I saw them. Hide
The Sixth Sense is not a good white film. Insomnia is not a good white film. They're just good films Show more
The Sixth Sense is not a good white film. Insomnia is not a good white film. They're just good films. So why we can't we have good films that happen to have black people, or Asian, or Latino, or any other minority group in them? Hide
Well that's the point: People don't normally take away things from films anymore. You go and see a $ Show more
Well that's the point: People don't normally take away things from films anymore. You go and see a $100 million film, half an hour later, your biggest concern is what are you going to be eating. Hide
But I try not to become preoccupied with that because with whatever direction I follow, with whateve Show more
But I try not to become preoccupied with that because with whatever direction I follow, with whatever advice I've followed or not followed, It's landed me in New York, in a very beautiful hotel, talking to people about something that I love. So I ain't that far off. Hide
Maybe It's not the biggest blockbuster film, but there will be some people that will see it, that wi Show more
Maybe It's not the biggest blockbuster film, but there will be some people that will see it, that will be debating it, that will be questioning their own sense of spirituality. If the film resonates, then I have succeeded in what I set out to do. Hide
Normally, we see characters that have God complexes. How interesting, I thought, it would be to capi Show more
Normally, we see characters that have God complexes. How interesting, I thought, it would be to capitalize on that. And say, OK, well fine, you have a God complex, well this person has a Satan complex. And the doctor chooses to treat him scientifically. Hide
You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from stu Show more
You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios. Hide
So that, to me, is important that audiences are treated with an amount of respect toward their intel Show more
So that, to me, is important that audiences are treated with an amount of respect toward their intelligence. Most Hollywood films don't respect their intelligence. Hide
Art should offend people because art should challenge people.
Art should offend people because art should challenge people.
It's my company and I believe in the company that's why I started it.
It's my company and I believe in the company that's why I started it.
But I did on projects that I produced, that I directed, that I acted in because it was important. I Show more
But I did on projects that I produced, that I directed, that I acted in because it was important. I want to be a filmmaker. I don't want to be an actor who directs, I want to be a director. I want to be a filmmaker. So that's a big difference. Hide
I think American cinema, particularly, has become so disposable. It's not even cinema, It's just mov Show more
I think American cinema, particularly, has become so disposable. It's not even cinema, It's just moviemaking. Hide
Ever since I've left, I've been doing nothing but this film and traveling, promoting and doing festi Show more
Ever since I've left, I've been doing nothing but this film and traveling, promoting and doing festivals. So the good thing is that I'm not sitting around pining over whether I made the right choice in leaving. I'm moving and grooving. Hide
Just trying to get a film made which is always difficult no matter what kind of a budget you have. N Show more
Just trying to get a film made which is always difficult no matter what kind of a budget you have. Not having a budget makes it even more difficult. Having nineteen days and no budget makes it extremely difficult. Hide
Eriq La Salle's FILMOGRAPHY
All
as Actor (105)
as Director (1)
Eriq La Salle'S roles
Hektor Martin
Frank
Will Munson
UN Secretary General
Christopher McAuley
Anderson
Det. James Van Der Zee
Peter Benton
Darryl Jenks
