John Cassavetes
Birthday: 9 December 1929, New York City, New York, USA
Birth Name: John Nicholas Cassavetes
Height: 170 cm
John Cassavetes was born on December 9, 1929 in New York City, New York, USA as John Nicholas Cassavetes. He was an actor and director, known for Rosemary's Baby (1968), The Dirty Dozen (1967) an ...Show More
I'm not really a director. I'm a man who believes in the validity of a person's inner desires. And I Show more
I'm not really a director. I'm a man who believes in the validity of a person's inner desires. And I think those inner desires, whether they're ugly or beautiful, are pertinent to each of us and are probably the only things worth a damn. I want to put those inner dreams on the screen so we can all look and think and feel and marvel at them. Hide
Say what you are. Not what you would like to be. Not what you have to be. Just say what you are. And Show more
Say what you are. Not what you would like to be. Not what you have to be. Just say what you are. And what you are is good enough. Hide
I'm sort of my own Mafia, you know, breaking my own knees.
I'm sort of my own Mafia, you know, breaking my own knees.
[on Gena Rowlands] She and I have friction in terms of lifestyle and taste. We agree in taste on not Show more
[on Gena Rowlands] She and I have friction in terms of lifestyle and taste. We agree in taste on nothing. She thinks so totally opposite to anything I would ever conceive! Hide
Everyone has made a love, religion, god. Time magazine had the audacity to kill God and those people Show more
Everyone has made a love, religion, god. Time magazine had the audacity to kill God and those people are floundering and walking around the world with nothing in their lives, simply because they are not led by anybody with responsibility. Hide
I'm not part of anything. I never joined anything. I could work anywhere.
I'm not part of anything. I never joined anything. I could work anywhere.
People have forgotten how to relate or respond; what I'm trying to do with my movies is build someth Show more
People have forgotten how to relate or respond; what I'm trying to do with my movies is build something audiences can respond to. Hide
In the last couple of decades or so, something has happened to the American dream. I don't quite kno Show more
In the last couple of decades or so, something has happened to the American dream. I don't quite know what it is, and it's still not very clear in my mind. Confusion has replaced patriotism. The intellect has replaced love. If something doesn't make money, no one is interested. Everything is for sale. Emotions are sold. Sex is sold. Everything is sex. Cars, women, clothes, your face, your hands, your shoes! Look at the ads, at television. My emotions aren't for sale. My thoughts can't be bought. They're mine. I don't want movies that sell me something. I don't want to be told how to feel. Hide
As an artist, I feel that we must try many things - but above all we must dare to fail.
As an artist, I feel that we must try many things - but above all we must dare to fail.
There's a difference between ad-libbing and improvising. And there's a difference between not knowin Show more
There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk. I don't want to tell them how they're going to get drunk. I don't want to tell them how they're going to get drunk, or what they would do, and I don't want to restrict them in being able to carry out a beat, to fulfill an action. You can't say somebody's drunk, or in love. Hide
When I started making films, I wanted to make Frank Capra pictures. But I've never been able to make Show more
When I started making films, I wanted to make Frank Capra pictures. But I've never been able to make anything but these crazy, tough pictures. You are what you are. Hide
Ricardo Montalban is to improvisational acting what Mount Rushmore is to animation.
Ricardo Montalban is to improvisational acting what Mount Rushmore is to animation.
I'm a professional actor out of defense. I'd prefer to be an amateur actor. But I've got to have mon Show more
I'm a professional actor out of defense. I'd prefer to be an amateur actor. But I've got to have money to make films. Unfortunately, it's an extremely expensive hobby. Hide
[on Love Streams (1984)] This picture, this picture; I don't give a fuck what anybody says. If you d Show more
[on Love Streams (1984)] This picture, this picture; I don't give a fuck what anybody says. If you don't have time to see it, don't. If you don't like it, don't. If it doesn't give you an answer, fuck you. I didn't make it for you anyway. Hide
[on the ending of Love Streams (1984)] I'm crazy, but I love this fucking movie. They hate it, but I Show more
[on the ending of Love Streams (1984)] I'm crazy, but I love this fucking movie. They hate it, but I love their faces. This is when we should begin the movie. This is the beginning. Now she goes home and the movie begins. Fuck 'em if they want answers. Fuck 'em! Hide
John Cassavetes's FILMOGRAPHY - Page 2
All
as Actor (76)
as Director (3)
as Creator (3)
John Cassavetes'S roles
Robert Harmon
Ben Childress
Guy Woodhouse
Victor Franko
