Susan Sullivan
Birthday: 18 November 1942, New York City, New York, USA
Birth Name: Susan Michaela Sullivan
Height: 171 cm
Originally groomed for the theater, Sullivan worked at the National Repertory Theatre in Washington D.C. before landing a role in Broadway opposite Dustin Hoffman in "Jimmy Shine". Sullivan ...Show More
The business of living - that's your artwork, and the process of that is finding out who you are, wh Show more
The business of living - that's your artwork, and the process of that is finding out who you are, what it all means. Hide
I started out doing theater and a soap in New York and that's... sort of what I got stuck in. I was Show more
I started out doing theater and a soap in New York and that's... sort of what I got stuck in. I was blessed enough to have long runs, and it's sort of hard sometimes then to get out. Hide
[on how she got the role on Castle (2009)]: Joan Van Ark [best known as "Valene Ewing" on another 80 Show more
[on how she got the role on Castle (2009)]: Joan Van Ark [best known as "Valene Ewing" on another 80s soap Knots Landing (1979)] made a very funny comment. She said 'Oh, you got that part! Every diva in New York and LA were circling around it!' There aren't many good parts for women who are a little older. When I read it, I liked the script, I thought it was a little retro, which it really is. It's kind of an old fashioned show. I thought it was the perfect part for Elaine Stritch when she said 'Dollface' and 'Kiddo' and talked out of the corner of her mouth. She seemed like an old toughie. I really didn't think I was right for the part but you go in and read for it, put your spin on it. During the audition - and to me this is why I think I got the part - I didn't realize I was doing the audition with Nathan. I thought he was just a reader. At one point, I was seated and I stood up and he stayed seated and, you know, you don't want to look down if you can avoid it since they always tape these auditions. So I said to him, 'Get up! Get up!', and we went off and did the scene. He laughed, I laughed and they laughed and I think it was that quality more than anything else, which is part of the dynamic of their relationship. It's turned out to be a wonderful part and instead of saying 'Kiddo' I say 'Darling' and I'm very comfortable. Hide
I like to use my hands. When I was in theater in college, that was one of my biggest notes: 'You use Show more
I like to use my hands. When I was in theater in college, that was one of my biggest notes: 'You use your hands too much.' Hide
My timing in life has been extraordinary. I've ridden the crest of the wave of the women's movement.
My timing in life has been extraordinary. I've ridden the crest of the wave of the women's movement.
There's a definition of narcissism that when a parent is narcissistic, instead of the child seeing h Show more
There's a definition of narcissism that when a parent is narcissistic, instead of the child seeing himself reflected in the mother's face and the mother's joy, the child of the narcissistic parent feels like, 'What can I do to make her okay, to make her happy?' Hide
[About her on- and off-screen friendship with Jane Wyman, on Falcon Crest (1981), who later died in Show more
[About her on- and off-screen friendship with Jane Wyman, on Falcon Crest (1981), who later died in 2007, who also played Angela Channing]: When I was on that show, I said, 'I'm watching Jane. I'm a diva in training!' because she was both things: She did want to be with the crew and she knew everybody's name, but she was the queen of that show. Hide
I mean, everybody's star fades in every business; that's just a natural part of life.
I mean, everybody's star fades in every business; that's just a natural part of life.
[When filming the episode of Falcon Crest (1981) where she learned of her husband Chase's death, she Show more
[When filming the episode of Falcon Crest (1981) where she learned of her husband Chase's death, she shed real tears. When asked whether it was sympathy for the poor suffering widow, she responded with her usual honesty] "It was P.M.S.". Hide
[Of Jane Wyman]: Jane was a very strong influence. Jane is the most professional person I have ever Show more
[Of Jane Wyman]: Jane was a very strong influence. Jane is the most professional person I have ever worked with. I have seen her battle through illness and fatigue and still keep working. She says 'Let's get this done. We have a job to do,' and everyone gets behind her. She is always willing to help younger actors. She gave instructions nicely and with humour. She once said to me, 'You can tell anybody anything if you do it with humor.' She ruled the set with a kind and intelligent hand. Hide
I'm hyped up when I'm working. Some people eat when they're hyped up and some people don't. I'm the Show more
I'm hyped up when I'm working. Some people eat when they're hyped up and some people don't. I'm the 'don't.' Hide
If you're cast right you can actually just let yourself go because all your gestures will be right, Show more
If you're cast right you can actually just let yourself go because all your gestures will be right, all your intonations will be right because you just somewhere understand who this person is. Hide
[on the fame that comes with a TV hit]: I don't think I ever wanted fame. When I'd go on talk shows, Show more
[on the fame that comes with a TV hit]: I don't think I ever wanted fame. When I'd go on talk shows, it was so terrifying being with Johnny Carson. You knew you were supposed to be quick-witted, so I'd do this self-deprecating - I'd put myself down before they'd start in on me. That's also about shame, about not feeling entitled to have what you have. It's very complicated, and I think a lot of actors feel this way. It's the ambivalence. It's 'I'm out there and I want to be successful.' It's 'I don't feel worthy and I don't want to be hurt.' Hide
[on why she became an actress]: As a little girl, 5 years old, I was in a Brownie show. It was one o Show more
[on why she became an actress]: As a little girl, 5 years old, I was in a Brownie show. It was one of those seminal moments for me. I came from a very chaotic, dysfunctional, alcoholic-father background that a lot of artists come out of, and to construct order I'd do little plays, because there was form and shape to my acting in them. So I wiggled, I winked at the mothers, and recently I remembered a moment I hadn't thought of in 30 years. I mean, I'm a narcissist, as all actors are to varying degrees on the pendulum, and when I did that little Brownie show, I remember this little girl pointing, saying, 'There she is, there's the showoff.' Sometimes these things come up on you and you don't know how they fit together. Here I am doing Buffalo Gal and this memory has come up. As I learn this role, I think I understand the reason for it. Hide
[on actor's insecurities]: This is a very important aspect of what it means to be an actor - maybe y Show more
[on actor's insecurities]: This is a very important aspect of what it means to be an actor - maybe younger actors aren't as burdened with this as I've been. I live and share my life with a wonderful man, a psychologist and author, Connell Cowan. He took a continuing-education course on narcissism, desire, and shame. Now, I'd just done this TV pilot in which I played an old kind of diva actress who really thinks she's grand. She sings - and I don't sing - in the pilot. I did it, and yes, it was fun, but I was so embarrassed by it. I said to Connell that I felt depressed after I did this big number and everybody applauded, regardless of whatever they thought of it. I said, 'I don't know what this is; maybe I don't really want to be an actor anymore.' He said, 'You feel shame.' And, you know, he was right: I was feeling shame because I didn't quite feel entitled to be a showoff, which is part of what you are as an actor. Hide
I don't think I ever wanted fame.
I don't think I ever wanted fame.
I think if I have any kind of unique gift, it's more in the comedy area than it is in the dramatic a Show more
I think if I have any kind of unique gift, it's more in the comedy area than it is in the dramatic area. Hide
I wouldn't have the life I have without television. I wouldn't be looking out my apartment window on Show more
I wouldn't have the life I have without television. I wouldn't be looking out my apartment window onto the East River; I wouldn't be able to afford to have my mother with me this summer. So television has been very good to me. Hide
Mitch and I have known each other for such a long time, and we're both so pleased to be given this o Show more
Mitch and I have known each other for such a long time, and we're both so pleased to be given this opportunity at this point in our lives to play characters that we've never really had a chance to play before. It's a great gift. Plus we're wise enough to appreciate it. Hide
Susan Sullivan's FILMOGRAPHY - Page 5
as Actor (162)
Susan Sullivan'S roles
Isabelle Wallace
Dr. Elaina Marks
Eileen
Hippolyta
Martha Rogers
