The Edge
Birthday: 8 August 1961, Barking, Essex, England, UK
Birth Name: David Howell Evans
Height: 178 cm
The Edge was born David Howell Evans, in Barking, Essex in 1961. When he was 2 the family moved to Dublin. During his childhood he learnt how to play the guitar and the piano. In 1978 the Edge became ...Show More
[on "Beautiful Day"] We were also reclaiming, I guess, some of the best-known musical and sonic hall Show more
[on "Beautiful Day"] We were also reclaiming, I guess, some of the best-known musical and sonic hallmarks of the band, on the basis that if everyone else was ripping us off, why couldn't we? Hide
"Beautiful Day" itself had come through various different incarnations and though we'd always felt i Show more
"Beautiful Day" itself had come through various different incarnations and though we'd always felt it had something, it was kind of hard to see where it was going. Really, the moment it got exciting was when Bono hit on the lyric: "It's a beautiful day". It seems in some ways such a banal sort of lyric, but combined with the music something wild happened and we all recognised it. Then Brian's (Brian Eno) contribution was that fantastically Euro kick drum opening and keyboard line, and that gave us the clue as to where it should go next. Hide
It seems like we have come full circle from when "The Joshua Tree" songs were originally written, wi Show more
It seems like we have come full circle from when "The Joshua Tree" songs were originally written, with global upheaval, extreme right wing politics and some fundamental human rights at risk. To celebrate the album - as the songs seem so relevant and prescient of these times too - we decided to do these shows, it feels right for now. We're looking forward to it. Hide
People always ask us if we think our songs can really change anything. And I always say that's not w Show more
People always ask us if we think our songs can really change anything. And I always say that's not why we wrote the songs. We didn't write them so they would change the situation. Hide
You can't fret about your songs being too popular and I always get a thrill when I hear one of our r Show more
You can't fret about your songs being too popular and I always get a thrill when I hear one of our records out of context. Hide
It's often the case that our most luminous moments have a pop quality. In the end, we're always tryi Show more
It's often the case that our most luminous moments have a pop quality. In the end, we're always trying to express something in the most straightforward way and that's also true of great pop music. It's about clarity and it's about ideas that resonate. I'm a big fan of pop - I just wish I was better at it. Hide
Of course we want to be tax efficient - who doesn't?
Of course we want to be tax efficient - who doesn't?
Songwriting for U2 is always a very ambiguous process. We write as we record, but in the case of Pop Show more
Songwriting for U2 is always a very ambiguous process. We write as we record, but in the case of Pop we took that to the nth degree. The loops and machines offered an endless amount of options and in U2 options are not your friends. Limitations, in fact, are often really the thing, and we've made full use of our limitations over the years. Hide
The songs we record are always changing. They seem to have a new aspect depending on the time and pl Show more
The songs we record are always changing. They seem to have a new aspect depending on the time and place of their performance. Some need to be retired for a while so we can see them in a fresh way, but the best songs seem to always connect. Hide
"All That You Can't Leave Behind" was a chance to rediscover the core chemistry of U2 as a band. On Show more
"All That You Can't Leave Behind" was a chance to rediscover the core chemistry of U2 as a band. On the previous record, Pop, we had deconstructed the concept of the rock 'n' roll band and then on the PopMart tour we'd celebrated the surface of things, not in a cynical way but in the spirit of Warholian pop art. Even so, I think we also realised that in the process we had lost something and the attempt on "All That You Can't Leave Behind" was to find that thing again: what it was to play in a room as a band and to rediscover the eccentricity and elusiveness of what a band can do when they're performing together. Hide
[on playing the guitar] When I came along, there was a clear need to reassess the instrument. I was Show more
[on playing the guitar] When I came along, there was a clear need to reassess the instrument. I was drawn to the idea of minimalism. To get the maximum effect from the minimum number of notes. There was a clear need to change the furniture around. Hide
When you think you probably don't need to be recording then you definitely should, and when you're p Show more
When you think you probably don't need to be recording then you definitely should, and when you're pretty certain you ought to be recording you probably don't need to. Literally, at any second, if everyone's in the room, then something great can happen. Hide
During my time as a performer, I've certainly felt that I was seeing the end of the guitar.
During my time as a performer, I've certainly felt that I was seeing the end of the guitar.
[on David Bowie] Next to The Beatles he stands as the most influential artist of all time. He truly Show more
[on David Bowie] Next to The Beatles he stands as the most influential artist of all time. He truly altered the course of music history. Hide
What I hope people pick up from U2 is that individuality is the crux of what rock'n'roll is about. E Show more
What I hope people pick up from U2 is that individuality is the crux of what rock'n'roll is about. Every single person who picks up a guitar has the potential to do something unique, and they thwart their potential by trying to sound like other people. Hide
Rory Gallagher was the man for any music fan from Ireland in the mid-1970s. Especially for someone l Show more
Rory Gallagher was the man for any music fan from Ireland in the mid-1970s. Especially for someone like myself who was trying at the time to master the electric guitar. He was a hard act to follow. He had an ease and command that was enviable. He left us too soon but his legacy is evident in the number of young guitarists who are drawn to his music, and through it to the music that inspired him, the Mississippi Delta blues. Hide
The Edge's FILMOGRAPHY - Page 3
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